Posts tagged spectacle

Posted 1 year ago

University needs participation, not spectacle

I got a letter published in my school’s newspaper, The Daily Targum. A bit of background: RUPA, the student-run programming association, recently hosted Jersey Shore’s Nicole “Snooki” Polizzi for two events on campus, which cost RUPA $32,000. It was very popular, with 2,000 students attending two sold-out shows. A controversy was ignited, however, because the school (through a different organization) will be paying Nobel Laureate Toni Morrison $30,000 to speak at graduation this year. One student wrote a column calling for the abolishment of RUPA, and many others called its judgment into question. News outlets around the country have picked up the story, and many people are seizing it as an opportunity to confirm their worst stereotypes about New Jersey. Many articles and letters were written about it in the Targum, but I believe most of them missed the point about the controversy. 

Following the controversy surrounding Nicole “Snooki” Polizzi’s visit to the University, a group of students have undertaken a project to bring Bruce Springsteen to campus. The leader of this effort gave his reasoning in Thursday’s brief in The Daily Targum titled “Facebook group hopes to draw Springsteen to campus”: “[Our] image is tarnished, and bringing someone like Bruce here will help people refresh their thoughts about Rutgers.” While I am a longtime fan of Springsteen’s music, this effort is completely misplaced. Replacing one N.J. celebrity with another misses the point entirely. The University should not judge the strength of its reputation on the names of the celebrities it can bring to campus. The effort to improve the school by bringing Springsteen trivializes the lessons we can learn from the controversy about Snooki into a shallow argument about which celebrities are “better” for the school.

…I think the divisiveness of the Snooki controversy points to a larger issue, one that calls into question the structure of RUPA. Many students expressed the idea that they had little say in this decision about how their campus fees were spent. According to Monday’s brief in The Daily Targum titled “RUPA says 2,000 students asked for Snooki appearance”: “Before selecting a performer, RUPA members brainstorm ideas, analyze trends in campus programming and gauge student input while maintaining an annual programming budget.” This resembles the work of a marketing department, not an organization that should be accountable to the students who pay its fees. Such an arrangement reduces most students to the role of consumers of pre-selected events. It’s unsurprising, then, that many students feel the work of RUPA does not reflect their interests, even if events like Snooki’s appearance are very well attended. RUPA is playing for popularity, not participation.

If we want the University to have an interesting culture, then we should strive to build arrangements that foster student participation beyond surveys and websites. Rather than trying to see which media figures do best in polls of student preferences, we should work toward a culture in which students work democratically to create art and events that genuinely reflect student life at the University.

Unfortunately, for the sake of topicality (and length), I couldn’t go after the real spectacle at Rutgers: the football program. For the same reasons, I couldn’t quote Guy Debord, either. But nevertheless, I think my comments apply to many colleges. The more a college does to market itself as ‘hip’ to prospective students through spectacles and similar events, the more it does to undermine genuine student-created culture, ultimately making the college a far less interesting place to be.

Posted 2 years ago
This loss of historical continuity in values and beliefs, taken together with the reduction of the work of art to a text stressing discontinuity and allegory, poses all kinds of problems for aesthetic and critical judgment. Refusing (and actively ‘deconstructing’) all authoritative or supposedly immutable standards of aesthetic judgment, postmodernism can only judge the spectacle in terms of how spectacular it is.
David Harvey, The Condition of Postmodernity, p. 56-57
Posted 2 years ago
In terms of citizenship, the danger of replacing the polis with the polls is reducing all of political participation to mere assent. Citizenship is something like passive audience approval: clapping at the advertising slogans that have replaced political programs: “The surge worked!” “Obama is a transformational President!” “American health care is the envy of the world!” At some point, one would imagine Homeland Security and Consumer Preference researchers to start swapping information about us. And when you consider the growing corporatist managerial state and its attendant consumerocracy, it’s hard not to think of J.G. Ballard’s prophetic comment that “the totalitarian systems of future will be subservient and ingratiating, the false smile of the bored waiter rather than the jackboot.” And what of the soul of man under consumerocracy? What is the psychological makeup of someone who grew up steeped in a society that valorizes the character traits of “the consumer”? A bit glib? Shallow and self-absorbed? Impulsive? Unable to think of the future, reflect deeply, or take anything too seriously? An ideal CNN viewer? Something in between a child and a sociopath? Will this type become the norm in postindustrial societies? Has it already? If you want an image of the future, imagine a human face being lovingly stroked forever.
Posted 2 years ago

Lady Gaga: Not Buying It

So, I’ll just come right out and say it. I don’t get Lady Gaga. Actually, no. I think I get her. At first I thought I was just being resentful that she got to perform in the Pet Shop Boys medley at the BRIT Awards and I didn’t, but now I just think there’s nothing to get. To take Gertrude Stein out of context, there is no there there.

My immediate problem with her is that she seems to have garnered a lot of attention around her fashion choices. Admittedly, she’s got an interesting look on the surface. Glittery, glam, vaguely militaristic, often without pants. She certainly throws together a spectacle. But my big question is where is the commentary? What is the critique exactly?